Wallpaper With Quotes Biography
Source(Google.com.pk)Charlotte Perkins Gilman was an eminent American writer of non-fiction and short stories, novelist, feminist social reformer, lecturer and commercial artist.
Born in Hartford, Connecticut in 1860, Charlotte Anne Perkins was related through her father Beecher to the famous Lyman Beecher, Henry Ward Beecher, Catherine Beecher and Harriet Beecher Stowe. Soon after she was born, young Charlotte’s father (an accomplished writer) abandoned her mother and left her to raise Charlotte and her older brother. Impoverished, and without means of support except for the infrequent appearances of her wayward husband, Charlotte’s mother spent time living with various family members in Rhode Island. She often left Charlotte in the care of her aunts – Catherine Beecher whose brand of “domestic feminism” would come to be seen as no better than domestic slavery by her niece; Isabella Beecher Hooker, whose suffragist activism inspired her neice; and Harriet Beecher Stower, the famous author of Uncle Tom's Cabin and champion of abolition whose failure to apply the same standards to the treatment of women would be corrected by the actions of her niece.
Charlotte’s mother did not show her children any affection in an effort to prepare them for what she perceived as the world’s callousness. She would, however, display signs of affection when she thought her daughter was sleeping and unaware of her mother’s attention. Young Charlotte was intelligent and taught herself to read through frequent trips to the public libraries. She attended public schools until she was fifteen and, though she impressed her teachers with the power of her mind, she failed to perform as a student. She was deeply interested in subjects which would later come to be identified with the emerging discipline of Sociology. Because the subjects that fired her interested the most were strictly the prevue of male scholars, however, Perkins chose to study art at the Rhode Island School of Design where she supported herself by making trade cards. During this time she also dabbled in painting and tutored young students.
At the age of 24, Charlotte reluctantly married Charles Stetson, an artist whose proposal she had initially declined. A year later they had a baby girl, named Katharine Beecher Stetson, and Charlotte began to suffer from depression. After three years of suffering, which a trip to Pasadena, CA did little to abate, Charlotte agreed to undergo the “rest” treatment being espoused by Dr. S. Weir Mitchell, a leading physician of the day. The treatement included:
bed rest
isolation
overfeeding to increase body weight
massage and occasional use of electricity to stimulate the muscles
It was an extreme method intended to bring about the same state of patient dependence upon the clinician as being practiced by the Freudians in Europe. In the initial stage of the “rest” treatment, the patient could not leave her bed, sew, talk, read, write or even feed herself.
Mitchell’s instructions to Gilman after a month under his care were to return home and “Live as domestic a life as possible. Have your child with you all the time. . . . Lie down an hour after each meal. Have but two hours’ intellectual life a day. And never touch pen, brush or pencil as long as you live.”
It was too much for Charlotte and in 1888 she fled her husband and doctor to resettle in California. She began to be active as a suffragist lecturer. In 1892 she wrote her most enduring work, a short story critique of her experience under Mitchell’s care entitled “The Yellow Wallpaper” but it was her first book of poems In This Our World (1893) that established her as a writer. In 1894 she divorced Charles Stetson and sent her daughter back East to live with her ex-husband and his new wife, a friend of Charlotte’s whom she considered as, if not more, capable of raising young Katherine.
From 1894-1895 she served as the editor of the Impress, a feminist literary magazine and in 1897 she completed work on her groundbreaking Women and Economics (1898), in which she espoused that only by achieving economic independence could women truly achieve equality with men.
Gilman’s married her first cousin, a New York attorney named George Houghton Gilman, in 1900. Gilman’s notoriety as a leading lecturer on women’s rights coupled with the success of Women and Economics led to her inclusion in the International Congress of Women held in Berlin in 1903 and subsequent speaking tours of England and Europe.
From 1909-1916, she edited and published her own magazine The Forerunner in which many of her works first appeared, including: What Diantha Did, (1910), The Crux, (1911), Moving the Mountain, (1911), and Herland (1915).
Though her marriage to George Houghton Gilman was increasingly unhappy, they did not divorce. Rather, Charlotte moved from New York to her husband’s homestead in Norwich, CT.
Charlotte Perkins Gilman’s lectures and writings such as “The Home” (1903), Human Work (1904), and The Man-Made World (1911), reveal the mind of an avid humanist dedicated to equality of the sexes. Among her groundbreaking theories were:
Women are subjugated by men
Becoming a mother should not prevent a woman from working outside the home
In the future, tasks such as cooking, child care and housekeeping would be taken care of by professionals
Men and women should share housekeeping duties
Young girls should be encouraged to think independently
Following her husband’s death in 1934, Gilman returned to Pasadena to be with her daughter. An advocate of voluntary euthanasia, Gilman chose to end her own life with chloroform in 1935 after diagnosed with inoperable breast cancer.
Funny Quotes From The Office biography: "It is rarely well executed. They only who live with a man can write his life with any genuine exactness and discrimination; and few people who have lived with a man know what to remark about him. The chaplain of a late bishop, whom I was to assist in writing some memoirs of his Lordship, could tell me scarcely any thing."He that records transactions in which himself was engaged, has not only an opportunity of knowing innumerable particulars which escape spectators, but has his natural powers exalted by that ardour which always rises at the remembrance of our own importance, and by which every man is enabled to relate his own actions better than another's."
"Funny Quotes From The Office Biography has often been allotted to writers who seem very little acquainted with the nature of their task, or very negligent about the performance. They rarely afford any other account than might be collected from public papers, but imagine themselves writing a life when they exhibit a chronological series of actions or preferments; and so little regard the manners or behavior of their heroes that more knowledge may be gained of a man's real character, by a short conversation with one of his servants, than from a formal and studied narrative, begun with his pedigree and ended with his funeral."
There are, indeed, some natural reasons why these narratives are often written by such as were not likely to give much instruction or delight, and why most accounts of particular persons are barren and useless. If a life [biography] be delayed till interest and envy are at an end, we may hope for impartiality, but must expect little intelligence; for the incidents which give excellence to biography are of a volatile and evanescent kind, such as soon escape the memory, and are rarely transmitted by tradition."If the biographer writes from personal knowledge, and makes haste to gratify the public curiosity, there is danger lest his interest, his fear, his gratitude, or his tenderness overpower his fidelity, and tempt him to conceal, if not to invent. There are many who think it an act of piety to hide the faults or failings of their friends, even when they can no longer suffer by their detection; we therefore see whole ranks of characters adorned with uniform panegyric, and not to be known from one another but by extrinsic and casual circumstances."
Funny Quotes From The Office Biography is, of the various kinds of narrative writing, that which is most eagerly read, and most easily applied to te purposes of life."
These Funny Quotes From The Office quotes and sayings about work, jobs, and bosses will free your mind from the grind. Grab a cup of coffee, relax, let these humorous quotations and funny sayings go to work...on your psyche. Your spirit will get a big raise.
1. If hard work were such a wonderful thing, surely the rich would have kept it all to themselves.
- Lane Kirkland
2. No man goes before his time - unless the boss leaves early.
- Groucho Marx
3. Guys with neck tattoos love asking "Are ya'll hirin?"
- Rock ?@TheMichaelRock
4. A consultant is a man who knows 157 ways to make love, but doesn’t know any women.
- Anonymous
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Wallpaper With Quotes Wallpapers Quotes For Iphone Tumblr Life1 Hd Funny Love For Mobile On Sad Love Happiness For Cell Phones
Wallpaper With Quotes Wallpapers Quotes For Iphone Tumblr Life1 Hd Funny Love For Mobile On Sad Love Happiness For Cell Phones
Wallpaper With Quotes Wallpapers Quotes For Iphone Tumblr Life1 Hd Funny Love For Mobile On Sad Love Happiness For Cell Phones
Wallpaper With Quotes Wallpapers Quotes For Iphone Tumblr Life1 Hd Funny Love For Mobile On Sad Love Happiness For Cell Phones
Wallpaper With Quotes Wallpapers Quotes For Iphone Tumblr Life1 Hd Funny Love For Mobile On Sad Love Happiness For Cell Phones
Wallpaper With Quotes Wallpapers Quotes For Iphone Tumblr Life1 Hd Funny Love For Mobile On Sad Love Happiness For Cell Phones
Wallpaper With Quotes Wallpapers Quotes For Iphone Tumblr Life1 Hd Funny Love For Mobile On Sad Love Happiness For Cell Phones
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